- High Definition (Beveled Design) +10 Close-Up Lens
- High-Index / Low-Dispersion 2 Element Optical Glass
- Fully Multi-Coated & Threaded
- Anti-Reflection Coating
- High Speed Auto-Focus / Infrared Compatible
Exploring…
The advent of macro lens diopters has swept away one of the most challenging problems in image capture: how to shoot macro without a pile of special expensive gear. Now you can get down, dirty and close in the image capture business and make macro the digital way with a 100% success rate.
You’re not alone when saying macro photography is an absorbing activity: to be able to reach in and record an image that is not easily visible to the naked eye is an attractive option. There is nothing more gratifying than to make a huge print of an insect, rock specimen or any small object that is normally so tiny to the naked eye and captured with the technique of macro photography.
In the old days of film, to shoot macro, aside from the requirement of using an SLR camera, you needed a few add-ons to take highly magnified images of extremely small subjects. You could begin by attaching a huge converter lens to the front of the existing standard lens … this would convey a degree of magnification. You could also install extension tubes between your normal lens and the camera body. You could also acquire a set of macro bellows and place them between lens and body; and finally, you could invest in an expensive, and optically superb, bayonet style macro lens dedicated solely to macro shooting.
These days, it’s done in a jiffy! With a digital camera and these macro lens diopters. Novices are surprised by how easy it is to capture really, big shots of tiny subjects. Some images taken by newbies have been noticed by Nature magazines. That’s how good they are!
In truth, you can make digital macro photography as basic or as complex as you wish it to be: even with a budget of 200 Dollars you can capture images of the tiny world before you, subjects as small as a matchbox, a match-head or even tinier. The higher-priced compact cameras can do it even better, some offering with a powerful zoom lens, so you can attach these macro lenses and stand back a bit.
A True Macro Lens
Digital Nc’s advanced two-element achromatic macro lenses turn your video or photography lens into a true macro lens. They provide lenses with more close-up range and magnification, without compromising image quality. They are also designed to maintain a flat field and edge-to-edge sharpness without chromatic aberration or image degradation.
They provide dramatically shorter MOD (Minimum Object Distance). This is essential whenever it is necessary to focus tightly on a small subject with a long lens – in tabletop, miniature and flat field videography. For example, add this 10x diopter to a 14x lens with an MOD of 40″, and bring it down to 2″, filling the frame with a subject as small as 3/4″ across.
Made to withstand the elements with a heavy duty, water-repellent chassis. The sturdy, long-lasting material is double bonded so it will hold up and keep your glass protected for years to come. Made with fade-resistant materials to retain its original crystal lens for years to come.
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Actual ImageUsing: Canon Rebel XT & Canon EF-S 18-55mm f3.5-5.6 Lens |
Actual ImageUsing: Panasonic Lumix DMC-GH1 & Panasonic 14-140mm Lens |
Actual ImageUsing: Nikon COOLPIX P900 |
Actual ImageUsing: Sony Alpha a99 II & Sony 28-75mm f/2.8 SAM Lens |
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STUNNING |
BLACK & WHITE |
VIVID |
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